我从贝果里离开不是因为你强行抱着不让我走而是我选择回头向你伸出手悖论的是片子的受众大部分都是那个喊着let me go的女儿而更需要去学习“爱非控制”的长辈大部分在第一趴就会睡过去说实话观影体验低于期待值但在平行宇宙的概念下用东亚家庭的困境去探讨存在与虚无藏娇寡妇电影最终又以世俗化的东西方大杂糅的共性“爱”(广义上)来解决这个哲学家们都没给出答案的终极问题有意思的尝试要么成为贝果nothing matters;要么feeling a good thing哪怕以此获得的小小希望最终会走向下一次的绝望悲观主义与乐观主义永恒的对决
"Just how happy I am, in this moment,right now.The way the light's hitting face of yours,there's little breeze coming in through the window.It doesn't matter if I have 10,000 more moments like this or,just this one,because…it's all the same.Right now, this moment,I have this."
MONEY FOR ONE CITY AND SIX DRUMMERS: 1.DOCTOR, DOCTOR, GIMME GAS(IN MY ASS) 2.MONEY 4 U, HONEY 3.FUCK THE MUSIC. KILL! KILL! 4.ELECTRIC LOVE 用日常噪音来FUCK被大多数人所接受的MUSIC