这部和美国的相比会有什么不同呢这个问题是标注想看的时候提的看完后觉得虽然还成但是和里查基尔的版本有很大的差距啊再一想这不年代久远的作品就不要深究了FREE CHINESE 国产精品还是深深的刻着日本烙印的一部电影影片除了忠还是忠美版的忠显然更忠于人文主义
黑色大丽花:210.46.240.46
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
第一集持续积攒的狼狈被最后的片尾曲给彻底压垮爆哭一边觉得女主的生活现状已足够不错为什么还要因为实现不了的完美幻想而作妖一边又完全理解女主已迷失太深的痛苦和想要破坏的挣扎如人饮水冷暖自知任性和勇敢往往也是一体两面多数人都是并不知道自己想要什么FREE CHINESE 国产精品只是知道自己不想要什么的茫然太喜欢嘉玲的爸爸妈妈了