"Maybe I didn't fight in a war, but I'm allowed to have a crappy day just like everyone else. Something that was really important to me ended. I know it was a little goofy, but it was a big part of my life, and when big things end, it's hard not to imagine how they started, so please, if you could just ease up for maybe two seconds". I really love how Kevin put his emotions that precisely and frankly and his awareness to the "right" to be down. It took me years to get that, and it really feels good - making you more connected both to the real self and to others.
梅尔维尔论白区党工作之残酷与迷人》不知为何梅尔维尔从未入围过三大奖难道因为he is "an American in Paris"可他同时代的美国同行(阿瑟·佩恩、佩金帕)真的很不一样啊本片中甚至连两场杀人戏都完全拒绝进行风格化变形相反梅尔维尔影片中的人物(利落、干练至极)、视觉(布列松式的极简构图)都表明这些作品背后有多么强大的一个ego as an author